Commencer une discussion
Annoncer un événement
Proposer une release
🍍 Ananas It !En savoir plus
Une discussion au hasard !
TV Incongrue
Zap! | Plein écran
Pinacothèque
Alternatives
Voir la galerie de la discussion
Vanilla 1.3.0 is a product of Lussumo. More Information: Documentation, Community Support.
Ce que vous allez trouver ici :
- Des discussions plus ou moins inspirées (car nous sommes bien sur un forum)
- Un calendrier d'évènements, pour vous aider à occuper vos soirées
- La liste exhaustive de toutes les sorties musicales annoncées sur ce forum depuis sa création
- Une radio automatique et surprenante
- Une pinacothèque collaborative
Cerise sur le gâteau, vous pouvez très facilement apporter votre contribution à tout ça. Pour ce faire, le mieux est encore de vous connecter ou de vous inscrire :)
Enfin, vous pouvez nous contacter directement à l'adresse email : contact (CHEZ) musiques-incongrues (POINT) net
-
https://platform-23.bandcamp.com/album/it-was
Platform 23 is delighted to present music from Colin Potter with It Was, a collection of tracks chosen from his 1989 cassettes Recent History Volumes 1 & 2.
After a burst of activity, mainly on his ICR label, from 1980 - 82, the Recent History tapes were the first released music in seven years and highlighted the intervening period.
While much of his earlier recordings have now been reissued by Dark Entries, Deep Distance and Sacred Summits, It Was covers the period where Potter recordings were limited while working as an engineer at his IC Studio, and pre-date his work with Nurse With Wound.
The ambience and guitar of The French Polisher leads to Diary Of A Nobody, a confident embodiment of Potter, sequencers and guitar against submerged, metallic percussion rising. Dense, claustrophobia follows in Solidarity At Wujeck Colliery towards the guitar refrains of Persistence.
Side two starts with Green Fields, where plucked guitars are again surrounded and consumed by rising arpeggios. Propulsion without percussion, the uplifting layers of arps shift and redefine before the scatter of Saw with reversed synths and guitar acting as a counterbalance. Nine Months, a possible centerpiece, has an autumnal atmosphere, with crashing cymbals and ambulant guitar, leading to the closing Ships That Pass In The Night, a hazy drift of slowly sequenced synths & primitive voice samples.
1 to 1 of 1